u-he Filterscape

Filterscape 1.5: A trio of plug-ins with morphing EQ
At the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different 'snapshots". Each EQ band's frequency and amplitude can be dynamically modulated, even from different sources for each snapshot! With a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.

Filterscape FX in the spotlight‚Äö

• 2 multimode filters, each with mixable lowpass, bandpass, highpass and notch
• NEW in 1.5: 9 additional analogue filter options (2-pole, 3-pole, 4-pole)
• 4-band parametric EQ with five modes:
• LS-Peak-Peak-HS, 4 Peaks, LP-BP-BP-HP, 4 Bandpasses , Panned Bandpasses
• 8 morphable snapshots for user-defined EQ settings
• Modulation options for each EQ band
• 2 signal mixers (roles depend on selected routing configuration)
• Stereo delay with independent times for each channel
• 2 host-synchronized sequencers, up to 16 steps, blend (glide) control
• 2 host-synchronized LFOs with 8 waveforms
• 4 envelope followers
• 5 routing options for delay, filter and EQ signal path
• Overhauled + expanded factory library - improved categorization, volume balancing, larger variety

History
Originally published in 2004, Filterscape was u-he's very first cross-platform, multi-format plugin. An important milestone for u-he as a brand, it quickly became a staple in the arsenal of many musicians. Now upgraded with modern technology and ready for tomorrow's tasks, we're once again showing our commitment to maintaining our product line. Filterscape may have been overlooked in recent years, but no longer!

Upgrading the inner workings
The new multiband EQ is based on an analogue model which has been optimized for rapid modulation, resulting in significantly improved audio quality when pushed to the limits.
The filter section has been expanded, introducing three new analogue filter models that offer beautifully smooth drive and resonance characteristics.

Features
Multi-band morphing EQ
Get surgical with the classic LS-Peak-Peak-HS mode or try your hand at the more exotic multi-bandpass modes. Either way, you can get up to 24 dB of cut and boost per band. EQ bands can be individually modulated at the snapshot level as well as globally.

Snapshot morphing
Smoothly transition between up to 8 different EQ settings: either manually, in auto-mode or using any of the available modulation sources. Automate these snapshots in your DAW to suit different sections of your track.

Multi-mode filters
2 parallel state-variable filters (lowpass, bandpass, highpass and notch) offer both legacy and novel analogue-modeled designs. The blender control lets you seamlessly fade between all 4 modes. It even lets you blur the boundaries between the modes as you fade into an allpass, which is great for phasing effects.