Overloud Gem Comp76
Comp76 is the ultimate tool for professional engineers who mix with no compromises.
NEW Features:
- Models three different units: Rev. A, Rev. D, Rev. F
- Low frequency sensitivity control
- Harmonics amount control
- Oversample control, including ultra-oversampling mode
- Harmonics metering
- New -16dBFS VU-Meter Calibration
Features:
- Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
- Built-in Parallel Compression
- Built-in Mid-Side Processing
- Sidechain processing
- Simulation of all transformers in the original unit
- Emulates the original All-buttons-in mode
- Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
- Lots of presets designed in real mixing sessions
BUILT-IN PARALLEL COMPRESSION
Parallel compression is a powerful mixing technique which helps improve the overall impact of the track while leaving the transients intact. It is achieved by summing the compressor output to the original track: with Overloud Comp76 you do not need to create complex routing inside the DAW: just turn the Parallel knob!
BUILT-IN MID-SIDE PROCESSING
You can separately compress the mono and stereo elements of the track, using different compression settings for each. This gives you complete control of the dynamics: you can squeeze the stereo aspect to tighten the room mics and get an in-your-face drum sound.
Original: $119.00
-70%$119.00
$35.70Overloud Gem Comp76
Comp76 is the ultimate tool for professional engineers who mix with no compromises.
NEW Features:
- Models three different units: Rev. A, Rev. D, Rev. F
- Low frequency sensitivity control
- Harmonics amount control
- Oversample control, including ultra-oversampling mode
- Harmonics metering
- New -16dBFS VU-Meter Calibration
Features:
- Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
- Built-in Parallel Compression
- Built-in Mid-Side Processing
- Sidechain processing
- Simulation of all transformers in the original unit
- Emulates the original All-buttons-in mode
- Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
- Lots of presets designed in real mixing sessions
BUILT-IN PARALLEL COMPRESSION
Parallel compression is a powerful mixing technique which helps improve the overall impact of the track while leaving the transients intact. It is achieved by summing the compressor output to the original track: with Overloud Comp76 you do not need to create complex routing inside the DAW: just turn the Parallel knob!
BUILT-IN MID-SIDE PROCESSING
You can separately compress the mono and stereo elements of the track, using different compression settings for each. This gives you complete control of the dynamics: you can squeeze the stereo aspect to tighten the room mics and get an in-your-face drum sound.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Comp76 is the ultimate tool for professional engineers who mix with no compromises.
NEW Features:
- Models three different units: Rev. A, Rev. D, Rev. F
- Low frequency sensitivity control
- Harmonics amount control
- Oversample control, including ultra-oversampling mode
- Harmonics metering
- New -16dBFS VU-Meter Calibration
Features:
- Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
- Built-in Parallel Compression
- Built-in Mid-Side Processing
- Sidechain processing
- Simulation of all transformers in the original unit
- Emulates the original All-buttons-in mode
- Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
- Lots of presets designed in real mixing sessions
BUILT-IN PARALLEL COMPRESSION
Parallel compression is a powerful mixing technique which helps improve the overall impact of the track while leaving the transients intact. It is achieved by summing the compressor output to the original track: with Overloud Comp76 you do not need to create complex routing inside the DAW: just turn the Parallel knob!
BUILT-IN MID-SIDE PROCESSING
You can separately compress the mono and stereo elements of the track, using different compression settings for each. This gives you complete control of the dynamics: you can squeeze the stereo aspect to tighten the room mics and get an in-your-face drum sound.
